News

She Spilled Burning Coffee on the City’s Most Feared Mafia Boss—Then Gabriel Russo Forced Her Into His Car, Only to Discover the Broke Barista He Had Taken for Protection Could See the Art-Forgery Scheme His Entire Criminal Organization Had Missed

Chapter 1 / 4

The car rolled into an underground garage, and Aud…

The car rolled into an underground garage, and Audrey reached for the door before Gabriel could move.

“Wait.”

Her hand froze on the handle.

She looked at him.

“Is that an order?”

Gabriel’s expression tightened.

“No.”

“Good.”

Audrey opened the door herself.

That small act mattered more than it should have.

An older woman named Marta met them upstairs. She brought Audrey dry clothes, food, and a guest room overlooking miles of rain-black forest.

There was no chain on the bed.

No guard inside.

But when Audrey tested the bedroom door twenty minutes later, it was locked from the outside.

Her anger became instant and clean.

She pounded once.

“Gabriel.”

The lock opened less than a minute later.

He stood outside wearing a black sweater instead of the ruined suit.

Audrey pointed at the deadbolt.

“Absolutely not.”

“There may be someone inside my organization feeding information to Costa.”

“I don’t care.”

“You should.”

“Then put guards in the hallway. Lock the estate. Put alarms on the windows. You do not lock me in a room.”

His eyes narrowed.

“You were almost shot.”

“And that still doesn’t make me property.”

Silence.

Marta stood farther down the corridor, pretending not to listen.

Finally Gabriel reached past Audrey.

He turned the exterior deadbolt into the unlocked position.

Then he removed the key.

“Keep it.”

Audrey stared at the small brass key in his palm.

She took it.

“Better.”

“You are remarkably demanding for someone whose life I just saved.”

“You are remarkably arrogant for someone whose life I accidentally saved first.”

His face changed.

That landed.

Audrey held the key tighter.

“You said the coffee disrupted an ambush.”

“Yes.”

“Then we’re even.”

“No.”

“No?”

“The men who planned it saw you.”

“That’s their crime. Not my debt.”

For several seconds Gabriel simply studied her.

Then he nodded once.

“Fair.”

Another concession.

Another unsettling crack in the man she had expected him to be.

At nine, he returned carrying dinner and a leather folder.

Audrey remained near the window.

“I’m not hungry.”

Her stomach betrayed her with a painful growl.

Gabriel placed the tray down without comment.

Then he set the folder beside it.

“What’s that?”

“Everything my people found after identifying the men outside your café.”

Audrey opened the folder.

There were photographs of three men.

Shipping manifests.

Gallery invoices.

A list of imported paintings.

Her fear shifted.

She knew these names.

Not the men.

The art.

“This valuation is wrong.”

Gabriel stopped halfway toward the door.

“What?”

Audrey pulled one page closer.

“Seventeenth-century Dutch still life. Declared value: five thousand dollars.”

“So?”

“So either the painting is destroyed, fake, or someone is committing customs fraud.”

He came back.

Audrey flipped another page.

“Ming ceramics. Twelve thousand.”

She looked up.

“That’s ridiculous.”

Gabriel’s attention sharpened.

“Keep going.”

Audrey forgot her fear for almost thirty seconds.

She saw badly described provenance, suspiciously repeated appraisers, shipment values that made no sense.

The degree she had considered useless began assembling a pattern.

“These aren’t random imports.”

Gabriel sat opposite her.

“No.”

“You already suspected that.”

“Yes.”

“Who owns the galleries?”

“The Costa family.”

The name meant nothing to her.

His expression told her it should.

“They tried to kill you?”

“Yes.”

Audrey pushed the papers away.

“I’m not joining a mob war.”

“I didn’t ask you to.”

“You were about to.”

His silence answered for him.

Audrey stood.

“No.”

“You haven’t heard the offer.”

“That’s because it isn’t an offer while I’m trapped here.”

Gabriel leaned back slowly.

“Then name the condition.”

Audrey stared.

“You want my help?”

“Yes.”

“First you confirm whether I’m still being targeted.”

“Yes.”

“If I am, you give me every realistic option, including leaving this estate.”

His jaw tightened.

“And if leaving gets you killed?”

“Then explain the risk. I decide.”

That answer clearly offended every instinct he possessed.

But after a long moment, Gabriel nodded.

“And the work?”

“I choose whether I do it.”

“You may be the only person I have who can read those records properly.”

“That sounds like your problem.”

A faint, unwilling amusement touched his eyes.

Audrey picked up the folder again.

Then she saw a photograph clipped beneath the final manifest.

The same man from across the street.

Only now he was standing beside a gallery owner.

And behind them, half-hidden in a warehouse photograph, was a crate bearing the same identification number Audrey had just circled.

She looked up.

Gabriel was no longer watching the paperwork.

He was watching her.

Audrey touched the photograph.

“If this number means what I think it means, your enemies weren’t just laundering money through art.”

Gabriel leaned forward.

“What were they doing?”

Audrey’s pulse accelerated.

“Selling the same collection twice.”

And suddenly the frightened barista was no longer the least informed person in the room.

Audrey turned the photograph beneath the lamp.

“Look.”

Gabriel moved beside her.

She pointed at the crate.

“This shipment entered Newark six months ago.”

“How do you know?”

“The inventory number.”

She pulled the manifest closer.

“Same prefix. Same dimensions. Same listed contents.”

“A Dutch collection.”

“Yes.”

“But this photograph was taken last month.”

“Exactly.”

Gabriel’s gaze darkened.

Audrey spread three pages across the table.

“The Costa galleries aren’t merely underdeclaring art.”

She tapped the first invoice.

“They import one real collection.”

Then the second.

“Create false documentation for replicas.”

Then the third.

“And circulate the originals through multiple private transactions so the same legitimate provenance supports different objects.”

Gabriel understood.

“They wash money through fake sales.”

“And sometimes sell counterfeits as genuine.”

He looked toward the window.

“That could involve tens of millions.”

“More.”

His eyes returned to her.

“You saw this in ten minutes.”

“I studied provenance systems for four years.”

“You told me your degree was useless.”

“It was useless for making coffee.”

Something close to a smile appeared.

Audrey closed the folder.

“Now find out whether I can go home.”

The smile disappeared.

“I already have men watching your building.”

Her stomach tightened.

“And?”

“Two unfamiliar cars have passed it repeatedly since this afternoon.”

“So I’m being watched.”

“Yes.”

“By Costa?”

“Probably.”

“Probably isn’t enough.”

“No.”

Gabriel crossed his arms.

“We can move you somewhere else.”

“Where?”

“Apartment. Hotel. Another property.”

“With guards?”

“Yes.”

“Who reports to you?”

“Yes.”

Audrey considered.

“What about police?”

Gabriel did not mock the idea.

That surprised her.

“You can go.”

“But?”

“But if Costa believes you knowingly interfered in an attempted murder, a police report will not necessarily stop him.”

“You don’t trust law enforcement.”

“I trust very few institutions.”

“That isn’t an answer.”

“No.”

His jaw tightened.

“Some officers are honest. Some aren’t. I cannot promise which desk your statement lands on.”

Audrey hated that it made sense.

“I want twenty-four hours.”

“For what?”

“To decide.”

“You can have them.”

“And the door stays unlocked.”

“Yes.”

She glanced at him.

“That sounded painful.”

“It was.”

For the first time, Audrey smiled.

Three days became a week.

Not because Gabriel ordered it.

Because every outside option remained worse.

She called Jenna from the secure phone. Told her she was safe but staying elsewhere temporarily. Gabriel arranged for her café wages to be paid for the shifts she would miss.

Audrey objected.

“I’m not taking charity.”

“It is not charity.”

“You own the café?”

Disclaimer: This story is fictional and created for entertainment purposes only. Any names, characters, places, or events are fictitious or used fictitiously. No real person or organization is intended to be portrayed.

You Might Also Enjoy