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“Kiss Me, Please,” She Whispered After Her Sister Stole Her Fiancé—Unaware He Was A Mafia Boss

Chapter 5 / 6

“Moretti Vale.”

“Moretti Vale.”

Silence.

“Not Moretti. Not Vale.”

She looked up at the evening buildings.

“Both.”

“It should say what the venture actually is.”

“Not one person’s money.”

“Not one person’s expertise.”

“Both.”

Dante remained quiet long enough that she wondered if the call had dropped.

“Dante?”

“I’m here.”

His voice sounded different.

Barely.

Like the current beneath ice she had noticed the first night.

“Moretti Vale.”

“Yes.”

“All right.”

Evelyn smiled.

“All right.”

Ten days later, Evelyn sat in a fluorescent federal conference room beside Patricia Bain.

Agent Cole Hargrove placed a thick file on the table.

He asked about the gala.

The ride.

Dante’s text.

The restaurant dinner.

The vineyard proposal.

Evelyn answered everything.

Then Hargrove folded his hands.

“I want to be direct.”

“Please.”

“Dante Moretti has been under investigation for three years.”

Evelyn did not look away.

“The conduct predates your involvement.”

“Nothing we have reviewed regarding the vineyard appears connected to what we are investigating.”

She waited.

Hargrove continued.

“He has done things in his past that may carry consequences.”

“Those consequences are coming whether his current conduct is legitimate or not.”

Evelyn nodded.

“I understand.”

“You are not a target.”

“Not a witness in our underlying case.”

“You made a documented business arrangement with a complicated man.”

His expression softened by perhaps half a degree.

“Frankly, you documented it about as cleanly as anyone could.”

Patricia stood.

“Then I think we’re finished.”

Outside, she said, “He was warning you.”

“I know.”

“About Dante.”

“I know.”

Evelyn pulled her coat tighter.

“I’m going to tell him.”

Dante listened without interrupting.

When she finished, he said:

“I’ve known for a year.”

“That charges were coming?”

“Yes.”

“What happens?”

“My lawyers handle what they can.”

“And what they cannot?”

“I answer for.”

Evelyn sat quietly with that.

Then Dante said:

“The vineyard is protected.”

“From what?”

“Me.”

She frowned.

“The ownership structure gives you control independent of anything that happens in my case.”

“Section four.”

“Yes.”

“You insisted on that language because you knew.”

“Yes.”

Evelyn looked down.

“If you are convicted—”

“Moretti Vale remains yours.”

She became angry unexpectedly.

“The name stays.”

“Evelyn—”

“No.”

His voice softened.

“It might be easier commercially.”

“I don’t care.”

“It could become inconvenient.”

“I am aware.”

She looked directly at him.

“It is Moretti Vale because both of us built it.”

“That does not become untrue because part of your history is ugly.”

Dante said nothing.

“I will not minimize what you did.”

“I know.”

“I will not defend what I cannot defend.”

“I know.”

“But I will not pretend your work with me was something else because standing beside it becomes uncomfortable.”

His eyes lowered.

Evelyn almost believed he was moved.

With Dante, emotion rarely announced itself.

It appeared in millimeters.

“The name stays,” she repeated.

“All right.”

The indictment arrived in February.

Financial crimes.

Illegal acquisitions.

Transactions spanning four years.

Serious allegations backed by serious evidence.

Evelyn read every article.

She did not turn Dante into a misunderstood hero because she cared about him.

She did not call everything persecution.

Some of it was real.

That mattered.

She was at Moretti Vale when the headlines began spreading.

The vineyard rested beneath a pewter winter sky, vines bare and dark across the slopes.

Her temporary office occupied the farmhouse kitchen.

Patricia confirmed what they already knew.

The vineyard was legally insulated.

Evelyn called Dante.

“I saw.”

“I know.”

“Are you all right?”

A pause.

“I’m managing.”

Not the same answer.

She understood.

“I’m staying in it.”

“The vineyard?”

“The vineyard.”

“The name.”

“All of it.”

“You don’t have to.”

Evelyn looked through the farmhouse window.

“I know.”

A faint sound of breath came through the line.

“That’s what makes it mean something.”

Dante was quiet.

“When this is over—whichever way it goes—”

“We deal with what exists when it exists,” Evelyn said.

“You aren’t afraid?”

“I’m afraid of parts of it.”

She watched the winter vines.

“I’m going forward anyway.”

The trial lasted seven weeks.

Some days Evelyn traveled to the city.

Other days she remained at the vineyard because there was nothing useful she could do in a courtroom.

That discipline was harder.

Waiting.

Working.

Not confusing love with the fantasy that her presence could change evidence.

The prosecution established conduct from Dante’s older acquisition network.

His lawyers established cooperation, legal restructuring, and a documented shift in how he had conducted business in the more recent period.

Moretti Vale was part of that record.

Not an excuse.

Not absolution.

Evidence of direction.

When sentencing came, Evelyn sat in the gallery.

The judge imposed two years, reduced to sixteen months because of cooperation, with the remainder under supervised release.

Dante had expected worse.

Still, sixteen months was sixteen months.

The judge specifically noted signs of genuine professional transition while making clear that change did not erase responsibility for prior conduct.

Dante absorbed the sentence without visible reaction.

Then he turned.

Found Evelyn in the gallery.

Their eyes met.

She did not smile.

It was not a moment for smiling.

She did not look away either.

Sometimes staying was not dramatic.

Sometimes it was simply refusing to disappear when the truth became inconvenient.

Moretti Vale’s first harvest came the following autumn.

It was modest.

Evelyn had expected that.

Vines did not reward impatience simply because investors wanted impressive first-year numbers.

The wine was not perfect.

It was good.

Genuinely good.

The kind of wine whose flaws told you where the vineyard still had to grow.

Evelyn liked that.

She sent a bottle to Patricia Bain.

One to the Bertrands.

One to Diane So, who had moved to a competing wine consultancy and was thriving.

Mireille Bertrand replied with a handwritten note containing only two words.

We knew.

Evelyn placed it beside her desk.

She did not send a bottle to Adrien.

She did not send one to Celeste.

Three months after the gala, Evelyn had called her sister once.

The conversation lasted eleven minutes.

For the first five, Celeste defended herself.

She said things had become complicated.

That nobody intended events to happen the way they did.

That Adrien had been unhappy.

That Evelyn had always worked too much.

Evelyn let her speak.

Around minute six, Celeste stopped.

The silence that replaced her excuses was better.

Finally Evelyn said:

“I don’t hate you.”

Celeste inhaled sharply.

“I want you to know that.”

“Eevee—”

“But I cannot have you in my life the way I did before.”

Celeste said nothing.

“And I don’t think either of us should pretend otherwise.”

A long pause.

Then:

“Okay.”

That was where they left it.

Not reconciled.

Not permanently severed.

Simply honest about the fact that something had been destroyed and rebuilding it would require more than either sister currently had.

Possibly more than they would ever have.

Evelyn allowed herself to grieve that without treating grief as a problem she needed to solve.

Sixteen months passed.

Spring came to Moretti Vale quietly.

The east block had suffered disease pressure during the previous summer, and Evelyn was among the vines before six in the morning checking new growth.

Her boots were muddy.

Her jacket had dirt across one sleeve.

Her hair had made several independent decisions overnight.

She was holding pruning shears when she heard tires on the gravel road.

Evelyn knew the sound of the car before she turned.

Dante stepped out.

For several seconds neither moved.

He was thinner.

The lines around his eyes had deepened.

The familiar stillness remained, but it no longer felt like armor.

He looked like someone who had been stripped of everything unnecessary and discovered that whatever remained was enough.

Dante walked to the edge of the vine row.

“The east block looks better.”

“The treatment worked.”

Evelyn glanced at the leaves.

“Mostly. We lost about ten percent of projected yield.”

“The rest?”

“Healthy.”

Dante looked over the vineyard.

Rows rising into the morning light.

A farmhouse that no longer looked temporary.

New trellises.

Soil dark from overnight moisture.

“Moretti Vale,” he said.

As if testing whether the name had remained real while he was gone.

“Yes.”

He looked at her.

“I’m back.”

“I can see that.”

A faint smile.

“I don’t know exactly what that means.”

“No?”

“I have some ideas.”

Evelyn raised an eyebrow.

“The legitimate kind.”

“Promising.”

Dante stepped closer.

“I need to figure out what I build from here.”

“We’ll figure it out.”

He looked at her for a long moment.

“You stayed.”

Evelyn held his gaze.

“I stayed.”

Nothing more.

No orchestral declaration.

No speech about destiny.

Just truth.

For both of them, that had become more valuable than anything performed beautifully.

Evelyn handed him the pruning shears.

Dante looked down.

“You’re putting me to work?”

“You said you were back.”

“I was imagining coffee first.”

“You spent sixteen months away and returned soft.”

“I survived federal prison.”

“And now you have vines.”

He almost laughed.

“Which is worse?”

“Ask me after harvest.”

She walked ahead.

After a moment, Dante followed.

They worked down the row beneath a sky slowly turning from pale gray to blue.

Evelyn showed him where the disease had damaged the wood.

“This cane goes.”

“Why?”

“It will never produce correctly.”

Dante reached for it.

She stopped him.

“Not there.”

He looked at her.

“Three inches lower.”

“You’re exacting.”

“You hired me because I know what lasts.”

Disclaimer: This story is fictional and created for entertainment purposes only. Any names, characters, places, or events are fictitious or used fictitiously. No real person or organization is intended to be portrayed.

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